Introduction
“Über dieser Fuge…”
Structure of The Art of Fugue
The “unfinished” fugue
About the realization
How to listen to The Art of Fugue
About the narratives
The Art of Fugue
Simple Fugues
Contrapunctus I
Contrapunctus II
Contrapunctus III
Contrapunctus IV
Stretto Fugues
Contrapunctus V
Contrapunctus VI
Contrapunctus VII
Double and Triple Fugues
Contrapunctus VIII
Contrapunctus IX
Contrapunctus X
Contrapunctus XI
Mirror Fugues
Contrapunctus XII + inversus
Contrapunctus XIII + inversus
Quadruple Fugue
Contrapunctus XIV
The first of AOF’s canons is also the simplest. In this canon “at the octave,” the two voices are always separated by an octave, with the canon follower four bars behind the leader. The subject is a florid variation of the main AOF subject.
Within the constraint of always appearing at the octave, the leader and follower are presented in both regular and inverted forms, and in D minor and A minor. The subject has the playful character of a gigue, and I have scored it accordingly.
This is a beautifully symmetric canon, with the leader and follower presented nine (3 x 3) times.